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The Hour I First Believed: A Novel

The Hour I First Believed: A Novel

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Author: Wally Lamb
Publisher: Harper
Category: Book

List Price: $29.95
Buy New: $15.25
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New (32) Used (10) Collectible (8) from $15.25

Rating: 3.5 out of 5 stars 132 reviews
Sales Rank: 89

Media: Hardcover
Number Of Items: 1
Pages: 752
Shipping Weight (lbs): 2.2
Dimensions (in): 9.2 x 6.1 x 1.9

ISBN: 0060393491
Dewey Decimal Number: 813.54
EAN: 9780060393496
ASIN: 0060393491

Publication Date: November 1, 2008
Availability: Usually ships in 1-2 business days

Also Available In:

  • Audio Download - The Hour I First Believed: A Novel (Unabridged)
  • Kindle Edition - The Hour I First Believed

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Editorial Reviews:

Amazon.com Review
Product Description

Wally Lamb's two previous novels, She's Come Undone and I Know This Much Is True, struck a chord with readers. They responded to the intensely introspective nature of the books, and to their lively narrative styles and biting humor. One critic called Wally Lamb a "modern-day Dostoyevsky," whose characters struggle not only with their respective pasts, but with a "mocking, sadistic God" in whom they don't believe but to whom they turn, nevertheless, in times of trouble (New York Times).

In his new novel, The Hour I First Believed, Lamb travels well beyond his earlier work and embodies in his fiction myth, psychology, family history stretching back many generations, and the questions of faith that lie at the heart of everyday life. The result is an extraordinary tour de force, at once a meditation on the human condition and an unflinching yet compassionate evocation of character.

When forty-seven-year-old high school teacher Caelum Quirk and his younger wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, Caelum returns home to Three Rivers, Connecticut, to be with his aunt who has just had a stroke. But Maureen finds herself in the school library at Columbine, cowering in a cabinet and expecting to be killed, as two vengeful students go on a carefully premeditated, murderous rampage. Miraculously she survives, but at a cost: she is unable to recover from the trauma. Caelum and Maureen flee Colorado and return to an illusion of safety at the Quirk family farm in Three Rivers. But the effects of chaos are not so easily put right, and further tragedy ensues.

While Maureen fights to regain her sanity, Caelum discovers a cache of old diaries, letters, and newspaper clippings in an upstairs bedroom of his family's house. The colorful and intriguing story they recount spans five generations of Quirk family ancestors, from the Civil War era to Caelum's own troubled childhood. Piece by piece, Caelum reconstructs the lives of the women and men whose legacy he bears. Unimaginable secrets emerge; long-buried fear, anger, guilt, and grief rise to the surface.

As Caelum grapples with unexpected and confounding revelations from the past, he also struggles to fashion a future out of the ashes of tragedy. His personal quest for meaning and faith becomes a mythic journey that is at the same time quintessentially contemporary—and American.

The Hour I First Believed is a profound and heart-rending work of fiction. Wally Lamb proves himself a virtuoso storyteller, assembling a variety of voices and an ensemble of characters rich enough to evoke all of humanity.

From the Author: Wally Lamb's Playlist for The Hour I First Believed

I’m often asked what novels by other authors I 'm reading when I’m writing one of my own. The better question is: What and who am I listening to? I’m pleased to share many of the tunes, recognizable and obscure, that helped me write Part I, "Butterfly" of my novel, The Hour I First Believed. I hope you enjoy them.

1. "Gloria," by Van Morrison from The Sopranos - Peppers and Eggs: Music from the HBO Series (Morrison) Caelum saves a slot for Van the Man in his list of “Greatest Songs of the Rock Era.” Morrison had this hit with the band Them in 1964, the year Caelum was 13.

2. "The Meaning of Loneliess," by Van Morrison from Wh at's Wrong with This Picture? (Morrison) In a bluesy mood, now-middle-aged Morrison explores the “existential dread” of life’s second half. Middle-aged Caelum’s pondering life’s meaning, too.

3. "A--hole," by James Luther Dickinson from Free Beer Tomorrow (Unobsky) “Ask any of us cynical bastards to lift up our shirt, and we’ll show you where we got shot in the heart,” says Caelum, as he angrily grieves two failed marriages and a third failing one.

4. "Black Books," by Nils Lofgren from The Sopranos - Peppers and Eggs: Music from the HBO Series (Lofgren) Lofgren’s mournful vocal, matched to his stunning guitar work, mirrors Caelum struggles to accept the jolting reality of Maureen’s infidelity.

5. "Useless Desires," by Patty Griffin from Impos sible Dream (Griffin) Dr. Patel advises Caelum that if he cannot forgive his wife, he should move on. Instead, the Quirks move away from Three Rivers and toward tragedy in Littleton. Griffin’s bittersweet road song captures both the desire for and the futility of escape.

6. "At the Bottom of Everything," by Bright Eyes from I'm Wide Awake, It's Morning (C. Oberst) Conor Oberst (aka Bright Eyes) imagines an airplane ride every bit as strange as the one Caelum takes beside chaos theorist Mickey Schmidt.

7. "House Where Nobody Lives," by Tom Waits from Mule Variations (Waits) In response to his aunt’s stroke, and later, her death, Caelum returns to a now-empty farmhouse.

8. "When God Made Me," by Neil Young from Prairie Wind (Young) Caelum, back in Three Rivers and now in his late forties, contemplates an earlier, more innocent youth--and its loss.

9. "Mbube (The Lion Sleeps Tonight)," by Ladysmith Black Mambazo with Taj Mahal from Long Walk to Freedom (traditional) Mr. Mpipi performs a dance of hunger that turns into a dance of love, and a praying mantis egg case explodes with life on young Caelum’s windowsill.

10. "Believe," by Cher from The Very Best of Cher (B. Higgins/S. McClennan/P. Barry/S. Torch/M. Gray/T. Powell) “Believe” was inescapable in 1999, the year I toured Europe with my previous novel and began this one. The pop star’s durability causes Caelum to speculate that only two life forms would survive a nuclear holocaust: cockroaches and Cher.

11. "My Buddy," by Chet Baker from The Best of Chet Baker Sings (Donaldson/ Kahn) My dad used to sing this song to me when I was a little boy, riding beside him in our green Hudson during Saturday errands. Baker’s songs always makes me sad, but this one’s bittersweet. I played it over and over when I was writing the episode where Caelum’s father drives him to town to buy him his belated Christmas gift.

12. "Mary," by Patty Griffin from Flaming Red (Griffin) When the shooting begins in the Columbine library, Maureen crawls inside a cabinet, writes Caelum a goodbye note, and prays the Hail Mary.

13. "A Case of You," by Prince from < i>A Tribute to Joni Mitchell (Mitchell) This Joni Mitchell classic evokes, for me, the impact of Mo’s Columbine experience on the Quirks’ marriage.

14. "Losing My Religion," by R.E.M. from In Time: The Best of R.E.M 1988-2003 (M. Stipe/P. Buck) How could a merciful deity allow Columbine to happen? Caelum’s ambivalence about god turns to bitter rejection.

15. "Couldn’t Hear Nobody Pray," by Maggie and Suzzy Roche, Ysaye Barnwell, and DuPree from Zero Church (traditional) Disengaged and disspirited, Caelum gropes for a spiritual connection but hears only silence. This song was recorded by vocalists from the Roches and Sweet Honey in the Rock in the aftermath of 9/11/2001. The shadow of that cataclysmic day hung over my writing of this novel for six years.

16. "I Drink," by Mary Gauthier from Mercy Now (Gauthier/Harmon) As Maureen’s reliance on prescription drugs increases, Caelum, too, numbs himself--with his father’s, and later Ulysses’s, preferred poison.

17. "Hallelujah," by Jeff Buckley from So Real: Songs from Jeff Buckley (L. Cohen) Leonard Cohen’s haunting meditation about the spirit and the flesh has been covered by many artists. The late Jeff Buckley’s version is perhaps the loveliest and most poignant.

18. "The Ghost of Tom Joad," by Bruce Springsteen from The Ghost of Tom Joad (Springsteen) In the closing days of a traumatic school year, in a borrowed classroom, Caelum and his students discuss Steinbeck’s masterpiece, The Grapes of Wrath. Shortly after, Caelum and Mo will take to the road as the Joads did, yet they’ll travel from west to east.

Praise for The Hour I First Believed

“Lamb...has delivered a tour de force, his best yet. A”
--Entertainment Weekly

“Lamb, a maestro of orchestrating emotion . . . knows how to make his fans’ hearts sing.”
--Elle

“A page-turner... Lamb remains a storyteller at the top of his game.”
--USA Today

“A soaring novel as amazingly graceful as the classic hymn that provides the title”
--Miami Herald

“Wally Lamb is a remarkable talent.”
--Columbus Dispatch

“Every character is rendered with vivid, utterly convincing depth....a heck of a page-turner.”
--Dallas Morning News

“[Lamb’s] pacing is superb: Sections of the story expand to accommodate a mix of characters, yet scenes don’t linger overlong.”
--Cleveland Plain Dealer

“Lamb has crafted another affecting, engrossing tome about complicated, interesting characters.”
--Minneapolis Star Tribune

“…too compelling to put down…a richly textured story...”
--St. Louis Post-Dispatch

“Lamb does an extraordinary job narrating some of the most terrifying tragedies of the past 10 years....an epic journey. Grade: A.”
--Rocky Mountain News

“When you put Lamb’s newest novel down, it will be reluctantly. It’s that good.”
--Knoxville News-Sentinel



Product Description
Wally Lamb's two previous novels, She's Come Undone and I Know This Much Is True, struck a chord with readers. They responded to the intensely introspective nature of the books, and to their lively narrative styles and biting humor. One critic called Wally Lamb a "modern-day Dostoyevsky," whose characters struggle not only with their respective pasts, but with a "mocking, sadistic God" in whom they don't believe but to whom they turn, nevertheless, in times of trouble (New York Times).

In his new novel, The Hour I First Believed, Lamb travels well beyond his earlier work and embodies in his fiction myth, psychology, family history stretching back many generations, and the questions of faith that lie at the heart of everyday life. The result is an extraordinary tour de force, at once a meditation on the human condition and an unflinching yet compassionate evocation of character.

When forty-seven-year-old high school teacher Caelum Quirk and his younger wife, Maureen, a school nurse, move to Littleton, Colorado, they both get jobs at Columbine High School. In April 1999, Caelum returns home to Three Rivers, Connecticut, to be with his aunt who has just had a stroke. But Maureen finds herself in the school library at Columbine, cowering in a cabinet and expecting to be killed, as two vengeful students go on a carefully premeditated, murderous rampage. Miraculously she survives, but at a cost: she is unable to recover from the trauma. Caelum and Maureen flee Colorado and return to an illusion of safety at the Quirk family farm in Three Rivers. But the effects of chaos are not so easily put right, and further tragedy ensues.

While Maureen fights to regain her sanity, Caelum discovers a cache of old diaries, letters, and newspaper clippings in an upstairs bedroom of his family's house. The colorful and intriguing story they recount spans five generations of Quirk family ancestors, from the Civil War era to Caelum's own troubled childhood. Piece by piece, Caelum reconstructs the lives of the women and men whose legacy he bears. Unimaginable secrets emerge; long-buried fear, anger, guilt, and grief rise to the surface.

As Caelum grapples with unexpected and confounding revelations from the past, he also struggles to fashion a future out of the ashes of tragedy. His personal quest for meaning and faith becomes a mythic journey that is at the same time quintessentially contemporary -- and American.

The Hour I First Believed is a profound and heart-rending work of fiction. Wally Lamb proves himself a virtuoso storyteller, assembling a variety of voices and an ensemble of characters rich enough to evoke all of humanity.


Customer Reviews:   Read 127 more reviews...

3 out of 5 stars Not as great as the others   January 8, 2009
I like many of the other reviewers am a Wally Lamb fan. My favorite was "I Know This Much is True." Also like many other reviewers have been awaiting patiently for new material. I wanted to like this book. I enjoyed the connection with his pervious book "I Know this Much is True" but I can't say I enjoyed it. I will probably read it a second time just to see if I would change my mind. This book just seemed so forced. Almost like Mr. Lamb had to write a book to meet a dead line and this was the result. I won't go into detail about what the story is about. There are other reviewers who have done that nicely. I will say this, . . . this book just had train wreck after train wreck. Death, drugs, adultery, natural disasters, foul language, and some really mentally disturbed people. I mean I understand that bad things happen and that some people have worse luck than others but this book just took that concept and threw it over the edge. Think of those Hollywood films that feel that the grosser and more violent the film the better. Thought provoking dialogue gets lost and shock value is in. I just felt like someone was constantly beating a dead horse. In true Wally Lamb fashion this book ends leaving the reader thinking but it did not leave me wanting to talk about it days later as his previous books did. towards the end of the book things seemed almost predictable. I guess you can't win them all.


4 out of 5 stars More than the sum of it's flawed parts   January 7, 2009
There is so much about this book that bothered me, I'm surprised that I liked it so much. It was, as one reviewer stated, too much of too many bad things. Wally Lamb tried to cram into his latest book everything that went wrong in his ten year hiatus as a novelist. And unfortunately, it was a watershed decade in American history, obliging an author who insists that we are the sum of our past history to comment on 9/11, Katrina, and the plight of Iraq War veterans, all in addition to the main event of Columbine which would have been quite enough.

Just in case you weren't twitching in the corner yet, he dredges the past for more misery. Add the Civil War, Coco(a)nut Grove, Korea, the tragic death of Mark Twain's daughter, the Underground Railroad . . . OK, prepare the padded cell.

There's more to dislike. For the first 99 percent of the book, the main character is unsympathetic and whiny (a less likeable version of Dominic Birdsey from IKTHMIT). The portraits of PTSD read like the diagnostic checklists of the DSM-IV. Caelum's family tree reads like the lineages of the Israelites (I had to make myself a chart to keep track - maybe they should add one to the book). Caelum quotes and analyzes Harris and Klebold extensively, and then abruptly drops them to make room for new aterial.

And yet . . . and yet . . .

The book is much more than the sum of its flawed parts. Lamb has always been a meticulous archivist of his character's pasts, insisting that for his flawed and often unloveable characters, there is redemption in accepting the whole of oneself and one's origins. Lamb's message is one of hope, that we (like this latest work) are more than the sum of the events that shaped us, that we can learn, grow, understand and ultimately transcend the meanness and suffering of an ordinary life. And this is what I remembered after I closed the book more than my sighs everytime I got to another endless letter from Lydia about her latest visit to Mark Twain's house.

I also admire Lamb's willingness and patience to wait for the right idea before rushing into another book. There are so many authors who fall into the trap of their own success, step onto the treadmill and start cranking out a book a year. Yes, writing is a business, and all must make their own choices about the integrity of their work. Lamb made his, waited ten years, and even, by one report, offered to give back the advance money he'd been offered. Granted, when the ideas came, maybe too many came. But the ideas, nonetheless, were big, worthy ones he was clearly excited about.

The result is a book that, while somewhat more difficult to digest than its predecessors, is well worth the heartburn. Clear your mind of what you think a Wally Lamb novel should be and dig in.



1 out of 5 stars Not Good   January 6, 2009
 1 out of 3 found this review helpful

Attention! Attention! Everybody out of the pool. Wally Lamb has jumped the shark!

And boy did he ever.

His characters encounter Columbine, 9/11, Hurricane Katrina an the regular gambit of an author who has obviously at this time run out of ideas.

And the book is long. Long and contrived and sadly dull.

The main character himself would be interesting were it not for the fact that he is Dominic Birdsey from his last book all over again. he even has a loudmothed, classless friend like Dominic. So it's no surprise that he and Dominic live in the same town, know the same people, use the same shrink and ran relays together in high school, duh! They are the same person! It's just a rehash and a poor one at that. It's disappointing. And the fact that Dominic actually makes an appearance in the book...well..it's just silly.

Not good.

I'm just glad I got this one at the library. And even though it is a new release, I won't have any problem returning it in seven days.



2 out of 5 stars One Novel Cannot Tackle Every Modern American Crisis   January 6, 2009
 2 out of 2 found this review helpful

As a huge fan of both "I Know This Much Is True" and "She's Come Undone," I really appreciate Wally Lamb's intellectual and psychological, yet extremely down to earth approach in writing a novel. However, he dives in way over his head with his most recent, and highly anticipated work, "The Hour I First Believed." I found the Columbine portion of this book most engaging, however that may have been because I was only a couple hundred pages deep and still hopeful.

Lamb fails in realistically conveying the emotional aftermath of multiple modern American disasters in the past 20 years (Columbine, Hurricane Katrina AND the war in Iraq). By the time he brings up the PTSD experienced by a soldier in the Iraqi war, his attempts appear as only cliche. Furthermore, Lamb is unsuccessful in his endeavors to forge a shallow comparison between the lack of justice present in both America's past and present.

Lastly, the Lizzy Popper subplot of this book is very dry and drawn out. I quickly got sick of making inferences about the results of paternity tests. By the end, the novel felt eerily similar to a CNN-sponsored soap opera.



5 out of 5 stars I wish Wally Lamb could write faster!   January 5, 2009
 1 out of 1 found this review helpful

A well thought out & written story. He makes you think and feel along with each character. I have enjoyed all of Wally Lamb's books and look forward to the next.

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